Showing posts with label Albums you should own. Show all posts
Showing posts with label Albums you should own. Show all posts

Saturday, July 12, 2008

Seven Essential Ska Albums (and the only ones really worth owning)


I love old ska. I first got into ska in the summer of 1987, when I went to the Manteca water slides with the Manresa Junior Lifeguards, and older JGs Shanae Machetti and Allison Moore played the English Beat’s “Mirror In the Bathroom” at our campsite. Slowly, through my older sister and her friends, I got exposed to the second wave British acts like the Specials and the Selector, and some Desmond Dekker stuff. I got really into ska my sophomore year of college, listening to bands like Operation Ivy, more Two Tone stuff, and local bands like Sacto’s Daisy Spot and Filibuster. My best friend Jaime was dating a (Philipino) skinhead in the mid-nineties, and hanging out with some of the Sacto skins, and through them I got exposed to more old ska and reggae, including Lee Perry’s “Chicken Scratch.” Lee Perry is better known for his reggae and dub stuff, but “Chicken Scratch” is an essential early ska album. I just picked up a remastered reissue from Heartbeat, and it still sounds wonderfully scratchy, just like old vinyl should. Ska was basically Jamaicans attempts at American R&B, and it has all the charm of old soul albums with the extra kick of that ska rhythm. Some of the tracks even sound like jump blues. (I recently learned, by the way, that ska is meant to be pronounced “skya,” and refers to the sound of the guitar. Just thought I’d mention.)

Listening to Chicken Scratch got me thinking about other ska albums, and so I’ve compiled a list of essential ska albums that no collection should be without. Because of ska’s limited range, this list is also the ONLY ska albums you need to own.

1. Chicken Scratch

2. Rockin’ Steady – the Best of Desmond Dekker. This came out in 1992 on Rhino. There is another greatest hits package floating around with two discs, which is an awful lot of Desmond Dekker. Either package is worth it for “That Woman,” “the Israelites,” “Honor Your Mother,” and “007” which is available on pretty much any early reggae collection.

3. The Harder They Come Soundtrack – Jimmy Cliff, Desmond Dekker, Toots and the Maytals…a lot of the great early reggae/ska is here. This was America’s real introduction to reggae.

4. The 2 Tone Story. The two-cd 2Tone singles collection. 2 Tone was the label that led Britain’s second wave of ska, in which punks and first-generation West Indian immigrants banded fused the energy with punk with the speed and angst of punk, creating some pretty great music. All the great British bands are here, including Madness, the Selector, the Specials, the Beat, and the Bodysnatchers. The second cd is mostly neo-mod and new wave stuff that is pretty inessential.

5 & 6. While you’re at it, you might as well pick up the Specials self-titled first album, and the Selector’s “Too Much Pressure.” Both bands have greatest-hits collections that are more readily available and collect the few gems from their second albums, but you might as well just go for their debuts.

7. Finally, you should get Operation Ivy’s self titled album on Hellcat, which I believe is a rerelease of their Lookout! Records discography. At the very least, it has their Energy! disc and is only missing a few tracks. Op Ivy were a late-80s punk/ska band, and one of the best to do that mix well. Their later incarnation Rancid had some ok songs as well, but Op Ivy are really the way to go if you want an American 3rd wave band. The one issue with Op Ivy is that they inspired leagues of imitators, none of whom were as good, and most of whom sucked.

Ska, like punk, is one of those genres which offers diminishing returns, so an artists second disc is worse than their first, and the third and fourth iterations of the genre have none of the wheat of the original and all of the chaff. That’s why Let’s Go Bowling, Skanking Pickle, and every other Bay Area ska band from the mid nineties is omitted from this list. They just aren’t worth your time, and these seven albums should be all you need, ska-wise. Neither is any of the bands’ later output. Anything that the British groups put out after 1984 isn’t worth your hard-earned money. (That same rule holds true for early 80s hardcore as well, by the way.)

Ska eventually morphed into reggae (at least in my version of the universe – let me know if you disagree), and there is a lot of great early reggae out there. If you are still jonesing for that ska beat, and can deal with a little mellowness, check out any of Trojan Records collections of early reggae. There is some good stuff in their vaults, and most of it ended up being covered by the British second wave bands.

Saturday, May 31, 2008

Albums You Should Own Pt. II


Black Flag
My War
SST, 1984

Black Flag were formed in SoCal (I can't remember the specific area, and I'm one of those people who refer to everything south of Santa Barbara and north of San Diego as "Los Angeles") in the late 70s by Greg Ginn (who is a cousin or brother of artist Raymond Pettibon, who designed the Black Flag Bars). Their early incarnation featured Circle Jerks singer Keith Morris on vocals, and was straight ahead hardcore. Their 1978 EP Nervous Breakdown is essential early hardcore punk.

They went through a revolving list of singers and musicians before finally settling on a young Henry Rollins, who jumped onstage to sing at a show in DC. Rollins brought his own element of angry, tough-guy alienation to Black Flag, and purists often say he ruined the band. Personally, I was a huge fan of Rollins, and I much prefer Rollins-era Black Flag to the earlier stuff. The band had some label drama after they released 1981's Damage, which resulted in them not being able to put anything out for three years. When the embargo was lifted, they were insanely prolific, putting out SIX albums between March 1984 and October 2005. My War was the first.

The album marked Black Flag's shift from a hardcore punk band to a Sabbath-inspired metal band. The first side of the album contained heavy punk songs, but the entire side two is just three long, slow dirges. Again, purists freaked out. Where were the two minutes blast of angst? Who needs a six minute metal blues jam with Rollins screaming lyrics like "I might be a big baby/But I'll scream in your ear/until I find out just what it is I am doing here?" Well, I did. As a 13-14 year-old, I thrived on Rollin's brand of alienation. The entire lyrics to "My War" are essentially "My war/you're one of them/you say you're my friend/but you're one of them." That is pure teen angst. Fuck my parents! Fuck the popular kids! they're one of them!

I listened to My War endlessly as a teen. It was heavy, it was angry, it was awesome. It had a huge influence on my as a kid, how I viewed others, and how I viewed myself. Music in general, and Black Flag specifically, were this oasis where I could retreat to. They echoed a lot of the feelings I was having, they acted as a surrogate for emotions I couldn't express, and they validated all the dramas and traumas I was going through, from the minor to the major. It's tough being a kid, and being able to look up to these burly older guys who were screaming their heads off was incredibly therapeutic.

I downloaded My War from emusic the other day, and I have to say that while it is still awesomely heavy, the lyrics don't quite move my soul the way they used to. For example: "My life's a piece of shit that got caught in my shoe/and i've been grinding that stick in the dirt for a long time now!" At 14 that sounded awesome, at 33 it's just kind of embarrassing. It's shocking to think that My War is twenty-four years old. It is an album that has loomed large in my life since I first saw its iconic cover in a Cymbaline record store in Capitola circa 1987. It remains one of my favorite album covers of all time. I think Raymond Pettibon's art is genius. I've considered buying a t-shirt of it, but I feel like I'm too old. I still have a soft spot in my heart for My War, and I'm looking forward to burning copies for my nephew when he comes of age. Although hopefully he will be a much better adjusted kid than I was.

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